Showing posts with label Australian rock. Show all posts
Showing posts with label Australian rock. Show all posts

Saturday, November 15, 2014

Angus Young Reveals His Brother Malcolm Has Been Suffering Symptoms Of Dementia Since 2008















By Darryl Mason

In one of the most personal interviews he's ever given, AC/DC's Angus Young has opened up about his brother Malcolm, now in a Sydney care facility suffering from dementia.


"It's something that had actually been happening for a long time," Angus Young told Rolling Stone magazine, meaning Malcolm's lapses in concentration and ability to remember riffs he'd written was failing as far back as 2008, when the band recorded the Black Ice album.

"(Malcolm was) still capable of knowing what he wanted to do. I had said to him, 'Do you want to go through with what we're doing?' And he said, 'Shit, yeah.' "

Touring through 2008-2010 saw Malcolm receiving treatment on the road, and had to re-learn some of the band's most famous songs, which, Angus said, "was very strange for him. But...we made it work."

But then, "with the condition he got in, that kind of faded."

Malcolm and Angus Young had been writing for a new album since 2008, and all the songs on the new album Rock Or Bust are credited to the brothers, Young-Young, but Malcolm didn't play on the new album. Rhythm guitars are supplied by Angus' cousin Stevie Young, who used Malcolm's guitars and amps.

Singer Brian Johnson revealed the future of AC/DC, beyond unspecified touring in 2015, is all up to Angus Young. He decides now if the band continues beyond next year.

It certainly seems drummer Phil Rudd, recently arrested in New Zealand, and rumoured to be fighting drug addiction, won't be joining AC/DC on tour. Rudd turned up for the album recording sessions in Vancouver, Canada. But, claims producer Brendan O'Brien, Rudd was 10 days late, and was almost replaced there and then.

Angus Young told Rolling Stone, his brother Malcolm "still likes his music. We make sure he has his Chuck Berry, a little Buddy Holly."

The same music the brothers Young grew up listening to, when they dreamed of becoming famous musicians and taking on the world.

A dream they've both lived to see become reality.

The Full Rolling Stone Story Is Here

Thursday, May 01, 2014

Paul Woseen's 'Bombido' And His Attack On The Angels Over Doc Neeson

By Darryl Mason



The Screaming Jets Paul Woseen is grabbing some attention for his debut acoustic album 'Bombido', released on my label Misty Mountains Music, and available here. Sadly, he's also grabbed a few headlines for attacking The Angels, who are now fronted by The Screaming Jets lead singer Dave Gleeson.

First the piece on 'Bombido', by Danielle McGrane for AAP:
It took just 12 hours for The Screaming Jets bassist Paul Woseen to record his solo album Bombido.
"Pretty much every song on that (Bombido) is one take, the first take," he says.

Woseen did some metaphorical time travelling to achieve what he wanted with the album, which comprises new solo tracks alongside hits he wrote for the Jets.

"I did it the way I wanted to do it, I had in my mind of how they used to do singer/songwriter records `60s/'70s style - come in, sit down, play the songs, record it and that would be it - and that's just how I approached it," he says.

"I recorded it in two six-hour blocks."

The Screaming Jets fans who have come to check out Woseen's shows have been surprised by Woseen's voice.
"They don't expect it (the voice) to come out of the head they're looking at ... such a rough head," he says.

"Singing and sitting around writing songs is a pretty good way to earn a living," he says
It's every musician's dream.

You can hear an exclusive short preview of Paul Woseen's 'Bombido' album here:




 Woseen is also attracting mainstream media attention for diving headfirst into a horrible pile-on over over Doc Neeson's serious illness, and how members of The Angels, the band that made Neeson famous, and are now fronted by Woseen's friend Dave Gleeson, have supposedly had 'no contact' with Neeson since he was diagnosed with cancer, after The Angels parted in 2011 and then formed two separate line-ups in recent years.
 
The Doc Neeson line-up, 'The Angels 100%', announced their 2013 tour after 'The Angels with Dave Gleeson' had a solid run of sold-out shows and scored huge gigs on the Day On The Green tour.

But Neeson's 'The Angels 100%' had to cancel their tour in early 2013, which would have seen the two line-ups of The Angels in the same cities in the same weeks, after Neeson was diagnosed with brain cancer.

I've been told there has been contact between the The Angels founding members, Rick and John Brewster, and Doc Neeson, but because the Brewsters haven't been public about the contact, and because they chose not to take part in the recent Australian Story episode on Doc Neeson, they've been absolutely slammed on social media, and elsewhere, by people who don't know what's really going on.

People like Paul Woseen:

It's all very unfortunate, and ugly, and the Brewsters will hopefully clear the air soon by talking to the media. It's just wrong that they have to do so.

Some background:

As any old fan of The Angels know, Rick and John Brewster formed the earliest line-up of The Angels with Doc Neeson in 1974, and they then played thousands of shows, and recorded more than 14 studio and live albums together, before Doc announced he had to leave The Angels in 2000, due to a back injury.

They reunited for a tour to celebrate the 30th anniversary of their mega-multi-platinum Face To Face album in 2008, and split again in 2011, when Doc Neeson decided he didn't want to record another album with the band, and pursued a solo career instead. A dispute over who owned the name of the band then erupted. Again.

Original members Rick and John Brewster and bassist Chris Bailey (who died of cancer last year) brought in The Screaming Jets singer Dave Gleeson and recorded the Take It To The Streets album, toured, and released a second album with the new line-up, Talk The Talk, earlier this year.

So, yeah, the bassist of The Screaming Jets, Paul Woseen, is attacking members of The Angels, who are now fronted by his long-time friend and bandmate, The Screaming Jets' vocalist Dave Gleeson.

Rock n' roll can get pretty stupid and ugly sometimes.

More To Come....

DOC NEESON TOLD HIS BRAIN CANCER MAY PROVE "FATAL" IN THREE TO SIX MONTHS

Wednesday, April 16, 2014

The Angels - "No Way, Get Fucked, Fuck Off!"

By Darryl Mason



A story I wrote for The Guardian's 'Australian Anthems' section on The Angels and one of the most famous, legendary songs in all Australian rock - "Am I Ever Gonna See Your Face Again?" The story includes a bit of an explainer on the origins of the NWGFFO crowd chant.

Excerpts from The Guardian:
It’s a song about grief, mourning, loss and the afterlife. It’s played at funerals, 21st birthdays, retirement parties – even weddings. It’s popped up in a spectrum of Australian TV shows and movies over the decades, and with the 1980s addition of an expletive-laden audience chant, this failed debut single from the Angels is now one of the most famous in Australian rock history.

Back in the 80s, Neeson told me the song began its life as a slow, acoustic ballad. The inspiration for the lyrics, he said, came from hearing a friend describe his grief following the death of a girlfriend in a motorcycle accident.

Not all Angels fans were happy with “No way, get fucked, fuck off!” becoming attached to See Your Face Again. The ones moved because the lyrics were about the death of a girlfriend to this day insist on fan forums that the chant cheapens the song and robs it of its powerful, nostalgic strength.
Leave a comment at The Guardian on what this songs means to you after you read the full story there. All comments appreciated.

The Full Story Is Here

More Rock Writing From Darryl Mason Here - Ozzy Osbourne, Jeff Buckley, Silverchair, Kyuss

Wednesday, November 21, 2012

Baby Animals Finish Recording New Album

Here's sme of my photos from the last day of recordings for the new 2013 album from The Baby Animals. Photos are of guitarist Dave Leslie and singer Suze DeMarchi.






Sunday, September 25, 2011

To the slightly vague memories of 1995 :

Sunday, August 21, 2011

The Angels Announce Australian Tour


After a raptuously recieved, sold-out, live show at the Annandale Hotel in Sydney on June 30 and the Norwood Hotel in Adelaide on July 1, and the recording of a new EP, The Angels, with Screaming Jets lead singer Dave Gleeson out front, are hitting the road in November and December.

This is going to be something special. The show will no doubt deliver Angels classics like Marseilles, Mr Damage, I Ain't The One and Long Line, but will also include a couple of the new songs they recorded at Alberts Studios - Waiting For The Sun and Wounded Healer - along with some Angels live rarities they haven't played in decades.

You won't see a better live rock show this year, and that's no bullshit line. Anyone who saw the gigs at the Annandale or the Norwood Hotel already know The Angels haven't sounded this good, or blasted this much power, in years. If there's an Australian rock band around right now who can blow these guys offstage, I'd like to see them try.

I've got some video interviews I recorded with rhythm guitarist John Brewster and Dave Gleeson coming soon, but in the meantime here are the dates. Grab your tickets from the venues.

November

9 - Fly By Night, Fremantle WA
10 - Charles Hotel, Perth WA
11 - Endeavour Tavern WA
12 - Ravenswood Hotel, Ravenswood WA
19 - Governor Hindmarsh, Adelaide SA
23 - The Juniors, Kingsford NSW
24 - Davistown RSL NSW
25 - Canberra Sthn Cross Club, Canberra ACT
26 - Belmont 16Ft Sailing Club, Newcastle NSW

December

1 - Commercial Hotel, South Morang VIC
2 - Ferntree Gully Hotel, Ferntree Gully VIC
3 - Chelsea Heights Hotel, Chelsea Heights VIC
4 - Macs Hotel, Melton VIC
8 - Marlin Hotel, Ulladulla NSW
9 - Penrith Panthers, Penrith NSW
10 - Dee Why RSL, Dee Why NSW
15 - Redland Nulti Sports Club, Brisbane QLD
16 - Norths Leagues Club, Brisbane QLD
17 - Twin Towers Services Club, Gold Coast QLD

Below is a video I cut together from mostly cell phone footage I shot of The Angels recording their new single Waiting For The Sun at Alberts Studios. It's not the official clip, just something I did for fun. There's a proper clip for the song coming soon, and it's a ripper.



Wednesday, June 29, 2011

My First Zero Budget Music Video

By Darryl Mason

Below is the 'in studio' video clip I shot and edited for Rick Brewster's Angels, the teaming up of Australia's rock legends The Angels and Dave Gleeson from The Screaming Jets. Most of the footage was shot on cell phones over a couple of hours and took about 30 hours to edit on AVS. I wasn't planning to try and cut a clip (I was at the Alberts Studios recordings to get footage for a documentary), so it was very interesting trying to match up guitar solos and Gleeso's vocals to the footage I had.

BTW This isn't the offiical video for Waiting For The Sun, this is just something I put together for fun and to see how hard it is to edit one of those 'in the studio' music clips (pretty fucking hard it turns out). The band liked this enough for me the release it on my YouTube channel. I go into more detail here.



I think I might be doing more of these video clips, it's already generated some interesting e-mails about future work.

Rick Brewster's Angels, featuring Dave Gleeson, play Sydney's Annandale Hotel this Thursday night, June 30, and Adelaide's Norwood Hotel on July 1. I saw the set list for the shows this morning, it's absolutely fucking killer.

.

Friday, November 26, 2010

Rock In Peace Pat Pickett

A true legend of the body-breaking behind the scenes world of the Australian rock industry died early Friday morning in Sydney.

His name was Pat Pickett, a veteran roadie, sound tech, lighting tech, inspiring verbal historian of the Australian rock legends he counted as old friends, and (often involuntary) surrogate on the road father to thousands of young, straight from their hometown, musicians and road crew, over the past four decades.

He didn't teach bands to do the best show they could, he told them they had no other choice. If they didn't perform, if they didn't do it for real, if they didn't mean it, the audience would know, and the audience would kill them. Two Australian bands that heeded his advice, gained from decades of seeing, and hearing, what audiences liked, what got them off, are The Hard-Ons and The Screaming Jets. There are dozens of others.

If you've had those periods of your life where you've gone and watched heaps of live rock, then you would have seen Pat Pickett behind the sound desk, or working side of stage. He may have even told you to get the fuck off that sound desk cable you were unknowingly standing on.

This is Pat Pickett a few years ago, holding a postcard from 1977 that his friend Bon Scott sent back from England.



Pat went on the road in the early 1970s, and barely left it.

He saw many friends ground down and spat out by the music industry, crushed under ridiculous demands, sapped of inspiration and creativity from having to play five or six nights a week, for months, years on end, bodies shattered by the demands of the road, 5000 late nights, schedules that only young people can keep.

Pat must have driven trucks full of roadcases, vans full of musos, the equivalent of two or three times to The Moon and back, along every highway, road or spine-rattling dirt track that leads to an arena or a crumbling pub across this massive land.

Pat came back from yet another year on the road a few weeks ago, in time to find out how sick he really was, but with not enough time left to do anything about it.

Now he's gone.

Pat Pickett on
the early days of AC/DC :
Angus and Malcolm wouldnt stop playin if they broke a string and it was great cause they were so small i could stand behind them and change it while they were playin. A lot of people don't believe it but its true.
He had so many stories like that. So many tales of life on the road, onstage, backstage. Some were hard to believe because he told them so well, because they were so perfect, the way rock n' roll stories were supposed to be, instead of the dreary PR-mutated droning of today.

When I first met Pat, I used to make notes during gigs I was reviewing for Juke or On The Street. This pissed him off. After the 5th or 6th time he saw me doing this, he walked over, grabbed the notebook, threw it away. "You're missing the fucking show. You don't have to write everything down to remember it. If you don't remember it when you get home, it's not important."

He was right. The time to start reviewing the gig was a few seconds after you got home, with enough of whatever had made you tingle left to stay awake and get it all down.

There probably isn't an Australian band, who've done the hard slog of years in pubs & clubs, who doesn't have a Pat Pickett story to tell. More than a few would cause a riot in the media today, if journalists dared to publish them, which they probably wouldn't anyway.

Pat's life was a life lived hard. But I lost count of the number of times I saw Pat taking the time to talk to people who really needed someone to talk to in the post-midnight hours when the troubled can never sleep. He counseled so many, over beers, on long truck drives, or during those endless hours waiting, at gigs, at hotels, at airports, at truck stops, the waiting that makes up most of the time spent on the road.

A lot of fucked up kids wind up drawn to rock music, some onto the stage, some into road crews, some only ever in the crowd, and Pat Pickett talked to them all when others had no time to. They seemed drawn to him. He was no Mother Theresa, but he did his bit in saving lives, of that I've no doubt, because in the years since I first met him, I've heard plenty tell me how he told them to snap out of their bullshit headspace; do the job they were paid to do; go back home where they belonged; get away from abusive parents or partners, or just to simply lay off the booze, or drugs, because he could see they were taking it too far and he didn't them winding up dead like his old mate Bon.

You were one of the good guys, Pat.

The Australian corner of that bar over there is getting damn crowded these days.

.

Wednesday, December 30, 2009



Roland S. Howard died today
, aged 50.

There's a fine selection of Howard videos and interviews on YouTube, if you're not familiar with his work, or you want to take a look back.




.

Friday, November 20, 2009

How The Angels Helped Create Grunge

By Darryl Mason

Pearl Jam guitarist Mike McCready, in an interview with Kathy McCabe, praises The Angels :
I grew up on (The Angels albums) No Exit and Night Attack...That is the Australian music that meant so much to me, maybe because me and my friends were the only ones who knew them."

Here's the (now pretty hilarious) album cover, and name change, the American label EPIC came up with for the US release of Night Attack in 1982.

When I was interviewing about a dozen young American and UK bands a month for the music press in the early 90s, I had a standard question which went like this :

"Did you hear much Australian rock when you were growing up? Are there Australian bands you count as an influence or inspiration?"

Obviously, AC/DC was an obvious, often answer to that question, and bands like The Scientists, The Birthday Party, The Go-Betweens, The Saints and Radio Birdman were also occasionally cited, but I was always surprised at how many bands listed The Angels for both influence and inspiration. And not just flat-out hard rock bands like Guns N' Roses and Motley Crue.

I'd have to dig through a bunch of boxes to find the article, but I'm pretty sure it was a member of The Melvins who told me that The Angels' 1983 schizophrenic, heavily jammed Watch The Red album and No Exit were something like foundation stones of American grunge. That might sound a little mind-blowing, but you only have to listen to the first albums of Pearl Jam, Soundgarden, Mudhoney and Green River to hear the obvious influence The Angels had on these bands, and the grunge sound in general, which, listening back now, really does basically sound like loud cranking 1970s Australian pub rock.

Classic Angels :




Sunday, October 28, 2007

Now That's Rock : Nick Cave Inducts Ignored Bandmates Into ARIA Hall Of Fame

When Nick Cave was asked last week for his thoughts on being inducted into the ARIA Hall Of Fame, joining legendary Australian rockers like AC/DC, Skyhooks And Rose Tattoo, he said he would turn up to collect his award, but he'd walk in the front door, walk out the back door and go get a kebab.

Fortunately Cave stuck around to give a short acceptance speech.

He railed against the ARIA organisation for refusing his request to induct his band The Bad Seeds along with himself into the Hall Of Fame. They refused his request because the Bad Seeds had a couple of "foreigners" amongst its ranks.

Likewise, Nick Cave's first band, the legendary and extremely influential The Birthday Party were also denied 'access' to the Hall Of Fame.

So Nick Cave, being the true gentleman and collaborator that he is, took it upon himself to induct the members of The Birthday Party and The Bad Seeds into the ARIA Hal Of Fame.

True class from Cave, and definitely the most rock moment of the night.

It was also great to see Silverchair pick up a fleet of awards. Australia has produced, and continues to produce, the best rock bands in the world. The new generation learns from and is vastly inspired by those who have gone before, which is exactly the point Nick Cave was trying to make. The members of The Birthday Party and the Bad Seeds belong in the ARIA Hall Of Fame along with Nick Cave, because he couldn't have done what he has done, and made the music he has made, without them.

Nick Cave on his hero, Johnny Cash :
I was in Los Angeles (in 2003) and got another call from Rick Rubin saying Johnny Cash was recording and did I want to come and record with him. I said: "Of course." I had a couple of hours the next day before I had to leave. I chose a Hank Williams song - I'm So Lonesome I Could Cry. I got to the studio and was a bit early, and was waiting for Johnny Cash to arrive and wondering how I would be able to sing, to hold my own with this incredible voice.

He arrived, and this man with such extraordinary generosity, such an immense spirit made me feel so much at ease.

I suggested this song, and he said: "Hey yeah, Nick, I know that one. Let's do it." And the band started up and we just did it.

It was funny because I sang the song and then at the end Rick Rubin said: "I'm sorry we're going to have to do it again." I said: "I'm flat, right?" And Rick Rubin said: "No, Johnny's flat." He said: "Yeah, I guess I was little off there." And we did it again.

When Johnny first came down those stairs into the studio he looked really frail and sick, but once he started singing he was really brought back to life. It was an incredible thing to see.

For me it's a very sad thing that he's died, because there goes another one of these great voices. As far as I can see there aren't the people around to replace these people. That's the really sad thing about this.